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Nav perfect timing album1/2/2024 In its second week, the album fell to number 24 on the chart selling 15,000 units, bringing its two-week total to 45,000 units. Perfect Timing debuted at number 13 on the US Billboard 200 earning 30,000 album-equivalent units with 6,000 in pure album sales in its first week. Two days later, the songs " Perfect Timing (Intro)" and " Call Me" were released as singles on July 14, 2017. Initially announced in early 2017, the artwork and release date was unveiled on July 12, 2017. Explaining his decision to emotionally rap about women, he explained that "you don't know who's fake and who's real" and "especially with girls: they could do anything for me and there's still that kind of guard up". He described it as "more serious" and it features instrumentals that are different from those of what Metro Boomin regularly produces. On July 21, 2017, the same day the mixtape was released, Nav sat down for an interview with Paul Thompson of Complex. In 2023, Nav and Metro announced a sequel to the album simply called “Perfect Timing 2“ Background īefore Perfect Timing was released, Nav and Metro Boomin both produced the former's song "Up", from his self-titled debut mixtape and first project (2017). It was supported by two singles: " Perfect Timing (Intro)" and " Call Me". The mixtape contains production from Metro Boomin, Nav, Pi'erre Bourne, and Southside among others, and features guest appearances from Lil Uzi Vert, Playboi Carti, Offset, 21 Savage, Nav's fellow labelmate Belly, and Gucci Mane. It was released on July 21, 2017, by Boominati Worldwide, XO, and Republic Records. But Nav is up front where he wants to be, and on Perfect Timing, the profound emptiness of his art is in full display.Perfect Timing is a collaborative mixtape by Canadian rapper and record producer Nav and American record producer Metro Boomin. He’s flimsy on his own but has an ear for grandiose gestures that make everything he says sound important, and when his raps start to stale, he can hide in the staging. Sometimes a bad rapper can find a good enough distraction to actually make music with merit. Boomin should have blown this one up a little more: we want something, anything, to take our focus off of Nav. The approach is similar here, but while Savage’s understated style let him blend and become part of the atmosphere, Nav clearly wants to be heard, annunciating each world like a pop-punk brat. His recent work errs on the minimal side, especially on Savage Mode, where he let his star slink through the shadows. Either Nav is really well-connected-perhaps he approached Boomin with a business plan-or there’s something Faustian at work here.īoomin typically goes big as a producer, which is the best strategy to get talked about as a behind-the-scenes player see everyone from Phil Spector to Lex Luger. He’s behind some of that rapper’s best work and shared billing with 21 Savage on what will probably go down as one of the all-time great trap tapes, Savage Mode. Boomin has good taste-he ought to, since, per one of his production tags, if he doesn’t trust you, Future will shoot you. What’s astonishing is that he’s managed to make an album with Metro Boomin, the young producer who’s still perhaps the exponent of Atlanta trap most talked-about as a capital-A artist. With Carti, it’s “ damn, that look like Carti.” With Nav, it’s “ Did You See Nav?” Nor when the best song on Perfect Timing, his ostensible mainstream Trojan horse, is built entirely off Playboi Carti’s strategy of framing his brags through the eyes of others. It’s not a good sign when a rapper brags, “ They pay me 50 thousand dollars just to stand around,” on “A$AP Ferg.” Nor when he writes what should be a perfectly heartfelt love song, “Held Me Down,” and still feels the need to brag about his side chicks at every moment. On his second mixtape, Perfect Timing, he’s proved himself nothing more than Pandora filler, providing nothing but rap in a pinch. His personality is a void, his endless brags about bitches and money don’t add up to black comedy or social commentary so much as a vague, pervasive dipshittiness. Nav is not an ambitious rapper he’s not particularly likable, creative or clever, and his voice is grating, with a whisper of Pusha T’s arrogant, nasal sneer but none of the color or conviction. Navraj Goraya has set his sights a little lower, comparing himself to… A$AP Ferg. On A$AP Ferg’s “Shabba,” he compared himself to dancehall superstar Shabba Ranks.
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